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Stage equipment

bill1952

SAWHORSE
Joined
Aug 12, 2021
Messages
2,571
Location
Clayton NY
An issue I've always tried to avoid but now, a member of the ASTC - professional society for theatre planners and designers and whom I represent in code development matters - has a project where the building department is requiring a permit for replacement in a public school of manual (no electricity involved) stage rigging. Have always wondered but never experienced or heard of this, and similar when I ask various stage rigging contractors. Likewise wonder what a plan reviewer thinks of my stage rigging drawings in a set of plans. And what in the codes would you use to review them?

What do building officials here do when faced with this kind of stage equipment? Stage lighting is well covered by NEC but non-electric rigging, stage lifts, stage traps, and similar is not really mentioned in any adopted codes.
 
Do a site search on "stagecraft" for additional discussions.
No definitive code citations that provided an objective, conclusive direction, but some discussions about it being an OSHA issue.
 
The equipment itself is exempt, but maybe not the impact on the existing construction. I'm thinking something like rigging creating a new point load on a structural member.

That's the only thing I can think of.
 
I can think of a lot of reasons to be careful, but none that I want a permit for....And when did we get a "Do I Need a Permit?" section?
 
Do a site search on "stagecraft" for additional discussions.
No definitive code citations that provided an objective, conclusive direction, but some discussions about it being an OSHA issue.
Not much IMHO. The few I found were amusingly all issues I've discussed before within the entertainment technology industry. The exotic dancer in the cage as regards accessibility was especially interesting. I wondered if the building official incidents noted were the basis for what I heard from the other side.

There are a lot of people and companies I'd trust to come in and hang a 100,000 pounds of gear over my head, and a few I wouldn't. If your involved in such, I suggest you ask the foreman for his certification credentials. It means they're serious and have experience and education. ETCP.ESTA.ORG
 
There are a lot of people and companies I'd trust to come in and hang a 100,000 pounds of gear over my head, and a few I wouldn't.
https://www.safetydimensions.com.au/van-halen/

vanhalen.jpg

Van Halen’s Brown M&Ms – Their Key To Rock and Roll Safety​

There’s a long tradition of musicians and actors adding absurd demands to their performance contracts just because they could.

Van Halen, the American rock band of the ’80s was infamous for this inclusion in their contract, Article 126, "There will be no brown M&M’s in the backstage area, upon pain of forfeiture of the show, with full compensation."

For years this clause was seen as a frivolous and ego-maniacal expression of the rock and roll lifestyle.
In his book, Crazy From the Heat, original frontman David Lee Roth explains that the request was actually a quick safety assessment. With tons of stage equipment, high powered electronics, pyrotechnics and large crowds, the humble brown M&M was a warning signal to see if the stagehands had been paying attention to each detail of the written contract to ensure the safety of the band, crew and audience.

Lee Roth writes:
"Van Halen was the first band to take huge productions into tertiary, third-level markets. We’d pull up with nine eighteen-wheeler trucks, full of gear, where the standard was three trucks, max. And there were many, many technical errors, whether it was the girders couldn’t support the weight, or the flooring would sink in, or the doors weren’t big enough to move the gear through. The contract rider read like a version of the Chinese Yellow Pages because there was so much equipment, and so many human beings to make it function.
So just as a little test, in the technical aspect of the rider, it would say Article 148: There will be fifteen amperage voltage sockets at twenty-foot spaces, evenly, providing nineteen amperes’ And article number 126, in the middle of nowhere, was: 'There will be no brown M&M’s in the backstage area, upon pain of forfeiture of the show, with full compensation.’

So I would walk backstage, if I saw brown M&M’s in that bowl... well, line-check the entire production. Guaranteed you’re going to arrive at a technical error. They didn’t read the contract. Guaranteed you’d run into a problem. Sometimes it would threaten to just destroy the whole show. Something like, literally, life-threatening.
Dan and Chip Heath’s book, Decisive, How to make better decisions in life and work they summarise that David Lee Roth was no diva; he was an operations master. In Van Halen’s world, a brown M&M was a tripwire."

 
The amount of stuff that a show like U2's 360 tour or Taylor Swift's Era tour is breathtaking. 80 and 90 semi-trailers respectively.

It's not those guys that would concern me. Their liability is too great not for them to be super careful. It's the wanna bes and tours with ons bus and one truck, like the Great White, that make me nervous.
 
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