As they grieved for friends killed in the inferno at the Ghost Ship warehouse on 31st Avenue, artists, musicians and partygoers from east to west Oakland couldn’t help but worry about a backlash of building inspections at other warehouse collectives.
“There’s going to be a draconian overreaction to shut everything down,” said Dunn, 42, who has attended events at the collective in the Fruitvale neighborhood. “That would only add to the tragedy.”
“People are getting worried (the fire) is gonna be used against us,” said Katelyn Charvoz, of West Oakland. The 25-year-old said she’s been involved in the music/party scene since she was about 15. “The city’s gonna paint us as some ugly, crusty, punk kids that are up to no good. If they buy up all the warehouses on every street and kick everyone out, it will just hurt the arts community here.”
The tragic warehouse fire is roiling an already simmering tension between official Oakland and a vibrant, free-wheeling arts community that has given life to many of its former industrial neighborhoods in recent years. Already, rising rents were threatening to dislodge some of these artistic centers; now concerns about lack of proper permitting and unsafe conditions, like what existed at the Ghost Ship, could add to the pressure.
“They don’t want you to have affordable rent,” said Damon Gallagher, who was the master tenant at Ghost Town and has since left Oakland. “There was blood dripping out of their mouths, dollar signs in their eyes.”
The 1919 Market evictions had artists who live in warehouses around the city worried that their buildings were next. Now they wonder if that was one reason why no one at Ghost Ship answered the door when city inspectors showed up Nov. 17.
“Who is going to want to call inspectors and risk losing their space?” Dunn wondered.
To this end, Michael Snook, founder of the NIMBY collective in East Oakland, reached out to artists on Facebook Sunday. NIMBY started in a West Oakland warehouse in 2004 and was forced to move after an untended candle sparked a smoky fire in 2008 and inspectors shut it down for lack of permits and sprinklers. The city helped the group relocate to a new space in East Oakland, but it took months and a $30,000 permitting nightmare before they could rest easy.
“If anyone lives in a live work space and would like it inspected without worry of all hell breaking loose, contact me,” Snook wrote on Facebook. “I can hook you up with a private professional that knows all the rules but doesn’t work for the city of Oakland. There is a fee and all I ask is you do what he says. Please.”¹